Alternating between transcendental secular music and theatrical sacred music, this latest recording from Geoffroy Jourdain invites us to explore the many expressions of human passion. Built around several settings of the Crucifixus (including Antonio Lotti's extraordinarily intense versions), Les Cris de Paris urge us to walk the Via Dolorosa to the very heart of Venetian Baroque music.
2 Selva Morale E Spirituale, SV 252 - 288: Crucifixus a 4, SV 259
3 Orfeo, SV 318, Atto II: Sinfonia
4 Salve Regina
5 La Cetra, Sonata a Quattro No. 6, Op. 10: Adagio
6 Duetti, Terzetti E Madrigali a Più Voci, Op. 1: In Una Siepe Ombrosa
7 Crucifixus a 10
8 Ballo Delle Ingrate, SV 167: Entrata
9 Harmonia D'affetti Devoti, Libro Primo, Op. 3: Dialogo Delle Due Marie
10 Crucifixus a 8
11 Cantate Domino, SV 292 (Arr. for Instruments)
12 Adoramus Te Christe, SV 289
13 Crucifixus a 6
14 Selva Morale E Spirituale, SV 252 - 288: Chi Vol Che M'innamori, SV 256. Ritornello
15 Crucifixus a 16
16 Exaudi Me Domine
17 Sinfonia Sesto Tuono, Op. 22
18 Balletto Secondo Pretirata, Op. 22 [1]
19 Selva Morale E Spirituale, SV 252 - 288: È Questa Vita Un Lampo, SV 254
20 Balletto Secondo Pretirata, Op. 22 [2]
Alternating between transcendental secular music and theatrical sacred music, this latest recording from Geoffroy Jourdain invites us to explore the many expressions of human passion. Built around several settings of the Crucifixus (including Antonio Lotti's extraordinarily intense versions), Les Cris de Paris urge us to walk the Via Dolorosa to the very heart of Venetian Baroque music.
